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Erhu (two strings fiddle) |
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instrument also takes the name of huqin,
the full term for hu. Its early ancestor was generally known as xiqin
(string instrument of a Mongolian tribe called the Xi) in tenth century.
Now as an important solo instrument for the recital hall, it is appropriate
both for deep tragedy and for the momentum of an avalanche. Besides, it
also assumes a central position in the modern Chinese orchestra, as well
as in the accompaniment of singing, dancing, and traditional operas.
Under the influence
of the regularly trained musician Liu Tianhua (1895-1932) and the local
minstrel Hua Yanjun (known as Blind Man Ah Bing, 1895-1950)
during the 1920's, the erhu developed into a solo instrument. Its two
strings are generally tuned a fifth apart and its range cAn reach three
or four octaves. Playing techniques are rich for both hands, including
vibratos, harmonic tones, trills, glissando, pizzicato for the left
hand
and legatos, detaches, martellatos, saltandos, tremolos, flying staccatos
for the right hand. |
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